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Mar. 6th, 2026 08:16 pm
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[personal profile] amycles posting in [community profile] addme
i used to be super active on livejournal, mainly in the icon community. i made a dreamwidth account as livejournal was fading, but i didn't really connect to the site and with irl changes i ended up leaving this part of the internet altogether. i've been reminiscing and have wanted to get back into "journaling", so i'm giving dreamwidth a proper go this time around.

name: laura

age: 30

i mostly post about: life updates and the occasional book review. i dealt with a lot of changes last year and a major loss at the end of january, so i'm navigating this new chapter (that sounds so corny) and just want to document the ups & downs as i experience them.

my posting schedule tends to be: for now, i'd say sporadic, maybe a few times a week.

my interests: reading, bookish content (new/upcoming releases, challenges, etc), horror, thanatology (see: Caitlin Doughty), arts/crafts, trying new recipes/cooking, hockey (nhl & pwhl), the sims 4, historical facts, theatre, concerts, cleaning/weekend reset videos (specific fandoms) lord of the rings, the boys, sailor moon, three days grace, prison break, jujutsu kaisen, tokyo revengers, schitts creek, supernatural, gundam seed, mcu

my dealbreakers are: aggressive or continuous political content; i'm well aware of what's happening in the world and i have no problem with people who want to discuss or vent, but i have no desire in befriending anyone who is consumed by politics (especially whatever trump is up to). anti-lgbt, conservatives/traditionalists, ableists.

before adding me, you should know: i have social anxiety; i have good days and bad days. i might come off as standoffish, but i promise i'm not. i love reading/hearing about other people's experiences and getting a glimpse into their lives. i'm just too nervous to approach them lol

Climatology Matters

Mar. 7th, 2026 09:01 am
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[personal profile] tcpip
Whilst the terrible and illegal war in the Middle East expands with increasing loss of life, it seems almost avoidant to concentrate on climatology matters as I have done for a lot of the past week. Still, one should be concerned with ongoing, creeping long-term issues as well as the literally explosive, immediate ones. Further, as the ever astute critic of political power and its abuse, Clinton Fernandes points out part of the reason that the United States is at war with Israel is to control China's access to high-sulphur Iranian oil, which accounts for over 14 per cent of its supply. National security is yet another reason why the rapid transition away from fossil fuels is so critically important for any country that desires to be truly independent, and why any country with internationally significant supplies of oil that is not part of USian imperialist control (e.g., Venezuela, Iran) are being targeted and why Canada is still on Trump's list for annexation.

Earlier this week was Adam Ford's "Future Day", a three-day online conference featuring various futurologists primarily discussing artificial intelligence and longevity. My own contribution was a presentation on "Critical Issues for the Global Climate" which I have produced a slidedeck, something approximating a transcript, and with the video available on YouTube. At over 4000 words, the presentation covers the core science of climatology (Earth's energy budget, carbon cycle, physics of GHGs), the industrial age and observed changes, environmental changes, the Anthropocene Extinction Event, and energy trajectories and future global policy directions. Concluding remarks identify climate change as a critical issue and one subject to "race conditions", and note that the policy route, whilst necessary, is currently falling short of requirements.

The other major climatology study completed this week was a 4500-word paper for my Euclid University studies in "Global Energy and Climate Policy", namely "Energy Production Under The Paris Agreement: Options for Developing Pacific Island Countries". Energy production is the major source of GHG emissions and, despite rapid changes toward renewables - especially solar and wind energy - fossil fuels such as coal, oil, and gas dominate global energy production. "L'Accord de Paris", requires all signatories (which excludes Iran, which never ratified, and the United States, which withdrew) to increasingly reduce emissions for each report of their own Nationally Determined Contributions (NDCs) in an effort to keep global temperature increases below 2 degrees C. For developing Pacific Island Countries, this is an issue: they are micro-contributors to GHG emissions, both absolutely and relatively, are especially sensitive to the effects of climate change, and, with underdeveloped infrastructure, are vulnerable. They require adaptation more than mitigation, and that's not required by the Paris Agreement. The conclusion I have reached is that the Paris Agreement requires an extension that includes requirements for both adaptation and mitigation.

With over 8000 words written on climatology in the past week, you would be forgiven for thinking that I've probably had enough on the subject for a while. On the contrary, my interest has actually increased. Whilst often a grim study (depression and anxiety are occupational risks among climatologists), the science provides multiple interesting avenues of investigation, the technologies provide a slim glimmer of hope, and the politics illustrate the dangers and difficulties of managing global matters within the limitations of sovereign nation-states. It is a life's work, a life's interest, and it is in the advocacy for life itself that makes this the most important scientific and moral challenge of our time.

ACFS Concert and the Producer's Role

Mar. 1st, 2026 09:22 pm
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[personal profile] tcpip
Yesterday was a concert the acclaimed Shu Cheen Yu and Lotus Wind Choir for the Australia China Friendship Society (Victoria) which, in my role as president of the ACFS, I was co-producer. Held at St John's Anglican Church in Toorak, with its rather delicious Gothic revival architecture and superb acoustics, the concert was very successful. There were around 150 people in attendance, including representatives from the Consulate, Australia's former ambassador to China, and many Chinese community leaders. Shu Cheen Yu herself is really a star, trained in both Peking and Western operatic traditions; she has one of the most astounding voices I've ever heard, and she is such an impressive organiser and leader.

The concert itself was an equal balance between various European and Chinese traditional songs. I was especially taken by the passionate performance of the Neapolitan classic, "Santa Lucia!", and the sheer power and majesty of "Legend of the Dragon". It must be gently said that the concert was a bit of a financial success for the society, with several thousand dollars raised. As an entirely volunteer organisation that receives no outside grants, events like this are required for our survival. The generosity and support of members of Victoria's Chinese community toward the ACFS have not gone unnoticed, and nor has the exceptional support I was provided by members of the ACFS committee.

This is the first time I've produced a concert and, I must say, it is something that is not unlike other forms of event management. In the relatively recent past, I have organised conventions e.g., "Cyberpunk 2020: Year of the Stainless Steel Rat", "RuneQuest-Glorantha Con DownUnder IV" and "RuneQuest-Glorantha Con DownUnder III" (for the latter, I received the inaugural Greg Stafford Memorial Prize). With common characteristics, event management is essentially a subset of project management, which means that it is a unique activity that involves multiple people and is time-dependent. It involves having a governance structure, organising a team, reporting, timetabling, being very aware of dependencies and, as the production-project manager, being very sensitive to tolerances and being prepared to pick up the pieces very quickly when things go wrong. More than a decade ago, I actually did a graduate degree in project management, along with PRINCE2 certification. If you're ever involved in organising events, my notes on this subject might be helpful.
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[personal profile] midnight_heavenly_bodies posting in [community profile] addme
Name: C.K. or Chester

Age: 36, nearly 37, growing old mandatory, growing up optional

I mostly post about: Culture Club/Boy George & Jon Moss (my hyperfixation of 22 years and counting), Linkin Park, wrestling (classic SMW/WWF, Jim Cornette, and my deeply cursed WWE 2K25 Universe), my OCs who are realer to me than most people, witchcraft/spirit work/folk healing/moon rituals/grief magic, retro gaming, emotional overshares that read like journal entries from a possessed poet, fanfiction that makes people unwell at 2am, chaos, and the occasional Reddit food rabbit hole

My hobbies are: Writing fic that's 70% emotional breakdown, 20% worldbuilding, and 10% people getting railed in a meaningful way, hexing cults with sigils and sass, collecting music like a religion, drawing OCs, being a haunted glitter goblin with eyeliner and vengeance, building 48-year fanfiction universes with fully documented timelines and named children, going to work like a normal person and coming home a completely different entity

My fandoms are: Culture Club (I'm writing a massive AU called Colour By Numbers spanning 1978-2026, and a supernatural [not the show] fic called The Rhythm of the Hollow), Linkin Park (Bennoda forever), wrestling (SMW/WWF/WCW but mainly the universes in my head)

I'm looking for people who: are too weird for Reddit, too raw for Instagram, too smart for Twitter/X, overshare about their OCs like a religion, cry over character development, understand that Jon Moss deserved better, write long posts, and don't find it weird that I've named all the children in my fictional universe including the surprise baby

My posting schedule: Erratic. Sometimes a lot. Sometimes I vanish for three weeks and return with an entire AU timeline and a new OC

Dealbreakers: Racism, ableism, transphobia, homophobia, antisemitism, being a dick, Scientology apologists, anyone who thinks Mike Shinoda is evil because of an Instagram reel, "isn't wrestling fake?", "you still like Linkin Park?"


Before adding me: I'm a trans man (he/him, they/them). Autistic and ADHD. I write mpreg unapologetically. I am a Zionist and tired of explaining what that actually means. Pro-AI. I smoke weed. I am extremely defensive of Jon Moss and will write essays about it. My AO3 is CampCornette69 and yes that's a wrestling reference

indonesia architecture

Feb. 24th, 2026 02:08 am
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[personal profile] royalsongbird posting in [community profile] little_details
hello! im currently working on a fantasy story where the country it takes place in (or at the very least starts in- im still figuring out plot details) is inspired by indonesia, but im having trouble finding good resources about indonesian architecture in the vague time period im writing in- i dont have a specific idea beyond the vague medieval times setting most fantasy stories use, but im more than willing to try and narrow it down if it helps. if anyone has resources i could look into, that would be very helpful!
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[personal profile] full_metal_ox posting in [community profile] little_details
[personal profile] squidgiepdx belongs to this comm, but he’s perpetually been some combination of sick and busy, so I’ve taken the liberty of helping him out.

He’s trying to track down a particular BTS shot from Stargate: Atlantis:

And now on to the SGA Picture part of the deal. So I wrote a quickie story for [community profile] romancingmcshep about John Sheppard's ass (the fest goes until February 28th if you're interested!) and the whole story is based on a picture that NOBODY can find anymore. I KNOW! It's frustrating! Anyway, there's what I think is a "behind the scenes" shot of most likely S01E03 "Hide and Seek" or S01E05 "Suspicion" where it's focused on Joe Flanigan's butt. Like kinda blatantly. He's kneeling on the Gateroom floor over Rodney, I believe and you can see where his t-shirt is pulled up and the waistband of his BDUs are lower - showing some skin and some of his boxers. This is what I think the camera sees in that shot, as Sheppard is kneeling like that but I remember there being a whole lot more skin. Does anyone remember a BTS photo like this? SO FRUSTRATING that I can't find it when I know I've seen it a hundred times.


His post: https://squidgiepdx.dreamwidth.org/341626.html

ETA 25 February 2026: The specific shot has yet to be identified, but [personal profile] openidwouldwork has kindly provided a resource devoted to this extremely specialized topic: https://dailystargatebooty.tumblr.com/

The Rhythm of Bitterness

Feb. 22nd, 2026 11:48 am
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[personal profile] tcpip
Last night I was a guest at the Chinese New Year concert at Hamer Hall, an event organised by the Melbourne Symphony Orchestra with the Chinese consulate. The concert was a good mix of modern and classical, East and West. Mindy Meng Wang's performance on the guzheng for The Butterfly Lovers was especially notable, and Li Biao's enthusiasm as conductor could not go unnoticed. The main part of the programme, Beethoven's 7th Symphony, is far from my favourite, but I do really like the dreamlike dirge of the second movement. There were also meet-and-greet functions before and after the concert, where one had the opportunity to meet various guests, organisers, and performers, along with vox-pop interviews from CCTV. It is certainly the season for such things, with, of course, the ACFS hosting our own concert next week.

As a sort of musical juxtaposition, earlier this week I wrote a review on Rocknerd for the most recent album, "Crocodile Promises" by The March Violets. Once a post-punk band from the early 80s, their company could also include groups like The Chameleons, The Comsat Angels, The Sisters of Mercy, Red Lorry Yellow Lorry, etc. However, more recently, they have moved to a more alt-rock sound, which isn't wrong (bands should develop their sound), but it is different. The album positively thunders along and is a deeply emotional collection of songs, of which "Bite the Hand" really stood out to me. On a related note (pun not intended), I have been delving quite deeply in recent days into the older albums by The Comsat Angels with their often spartan instrumentation and bitter and bleak lyrical content.

It is has all rather suited my current mood. Music is a universal language of mood, both in the uplifting and sombre sense. The latter affects me every day; I seriously don't understand how people remain indifferent to the immediate conflicts (e.g., Gaza) or to longer-term downward trends (e.g., the climate). February 18, for what it's worth, was Bramble Cay Melomys Day, a on-going memorial and campaign for the first mammal species driven to extinction by climate change. Yes, I can enjoy music, culture, artistry, and beauty, whilst simultaneously being driven by such events. As a certain J. Cash once wrote, "I'd love to wear a rainbow every day, And tell the world that everything's okay. But I'll try to carry off a little darkness on my back. 'Til things are brighter, I'm the man in black".

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