garote: (laura bow)
[personal profile] garote

Even before my breakup with Эрика was official, I'd been scanning the dating site trying to find new people.

Oh, don’t act so offended! I’d known it was going to end, and I knew she knew. Browsing the profiles was part of how I gauged whether I really wanted to be single.

Once the separation was declared, I felt free to write all the messages I'd been considering, and the most interesting one was Аннет. Her dating site alias was a reference to a fictional character I knew well, and so I wrote my letter in the form of a short story where I approached that character's father, and asked him for permission to date his daughter. I was very proud of the writing, completely independent of whether it impressed Аннет. But I definitely did want to impress her, because we had both answered over a thousand match questions on the dating site, which was rare, and sported a 98 percent match rate even with that high count, which was crazy.

It caught her attention instantly, and we began talking in-depth over email. She described herself as dedicatedly polyamorous, and I was a bit wary of her declarative tone, but I didn't feel like the arrangement was an instant "no." She mentioned a man she'd been involved with back in Maryland, and said she was still seeing him occasionally, and in fact he was visiting her during the weekend she received my first message. I told her to have a good time, and meant it.

We chatted back-and-forth for days, and when we weren't doing that we traded big emails full of lively discussion. I told her all about my polyamory experimentation from a few years ago, and she asked a lot of curious questions about how I compared it with monogamy. The emotional mechanics of it; the way it forced a person to confront ideas about communication and jealousy. I was happy to share it all with someone who didn't just see it as a disaster. She said there had been rough times for her, too, but she'd learned a lot. I said that was reassuring. She said it was all a matter of integrity and respect, and she knew how to manage both, so we should set up a time to meet and see if there was chemistry.

Our first date was on a weekday. I sat at my desk and tried to put in a solid chunk of work so I could enjoy the evening without guilt, but my head wouldn't cooperate. It wasn't Аннет, it was dating and romance in general. Where was I truly headed? Would I ever actually find a "purpose", as my recent ex had so precisely defined it a few months back, when we were comparing notes on our post-breakup lives? I really needed to just relax and let this be a date. Having things be so high-stakes all the time was exhausting.

5:00pm dragged slowly up and then pounced on me, leaving me just enough time to pedal home, shower, change clothes, grab the folding bike, and cycle to MacArthur Bart. I boarded the train for Fruitvale, clattering and lurching under the weight of a thousand commute passengers, and walked down from the platform with only a minute to spare. Аннет's train was late however. She would be arriving straight from work, and since the Bart was part of her regular commute, we could hang out for a while and then she could continue to her house.

I waited, standing tall in my striped shirt, reading articles on my phone. A few thoughts rolled around to the front of my brain.

"She seems great but we've only traded words over the internet. Some people need a slow start in the physical world even if they've welcomed me into their mental one. If I'm too eager, I might overwhelm her."

"The thing that brought us together was mutual love for an author. It might be fun to think of us as characters meeting inside one of those novels. Hmm, no, that's too distracting. I'll just be myself."

I thought I saw her approaching from the corner of my eye, so I made sure to put away my phone slowly, giving her time to get close without feeling embarrassed. As soon as I looked up she grinned and gave me a little wave. I took a step towards her, took her offered hand, and gave it a single firm handshake, like we were two guests at a fancy party. Then I said hello to her little dog: A remarkably intelligent and self-assured creature. Watching Аннет play with him - frolic even - as we locked my bike and walked through the mall to a sunny bench, was very entertaining, and made me feel happy.

That was the first thing I found interesting: She was broadcasting an energy that made me happy.

Аннет was a short, pale-skinned woman with soft but muscular limbs and a wide, smiling face, with a spray of wavy reddish-brown hair bursting out behind her head. This much I knew from photos, but what I really liked was the way she moved as I watched her talk. High, melodic voice, easy laugh, very expressive hands, her head in constant motion, tilting and swaying to add meaning to her words. There was an enthusiasm beaming out her like sunshine, and it felt familiar. I had a feeling like I was already used to it. From previous romantic experience maybe, but maybe from something deeper.

The presence of that energy made many things about our previous conversation click into place. Suddenly I understood the intent and the force behind a tone that had seemed confusing before, in the emails and chat sessions. Even the driven, voracious way she'd dug into the discussion about monogamy now made sense. It was clearly that mind animating this body.

As we sat, the clouds split briefly overhead, and a sunbeam drifted across her eyes. Time stopped as I looked into them. Yellow-green and jewel-like, with a feral wideness, like some creature that belonged in a mythical forest had snuck into the modern world, and I had just accidentally seen through her disguise. I struggled with a compulsion to just stop moving, and thinking, completely.

"Don't turn into a slack-jawed idiot," I thought. "That would bore her, and you'd regret it."

I pushed past the moment and we kept talking, telling stories back and forth and enjoying each others' enthusiasm, both of us laughing. At one point she laughed at a joke and I said "Mission Accomplished!", referring to a joke from a few days ago, and she got so flustered trying to come up with a funny retort, with her face all screwed up and her head sideways, that I burst out laughing, feeling overjoyed, and she gave up and joined in with me. It was a lovely moment. This was the infectious feeling of instant chemistry.

We kept talking, and she missed her bus. I immediately proposed a solution where we would ride Bart for a while and then I would bicycle to my van and drive her home. She accepted it without hesitation. Then we got so busy talking - again - that we left my bicycle behind at Fruitvale station. I only remembered it as the train pulled in at MacArthur. I slapped my forehead. I would have to get to my house on foot, which meant a much longer wait for Аннет.

We emerged at MacArthur and found her a sunny patch of curb to wait with her dog, and before she turned away I placed my hand on her shoulder and looked right at her and said "be safe". She didn't just say "okay" or "I will", she brought her hand up so that it was covering mine, returning the eye contact, accepting the concern and showing that she valued it. I had made a little gesture of chivalry and she'd taken it gracefully. Often these things were hard to balance but I think I got it right.

I turned around and ran most of the way to the van. I didn't want to leave her alone for any longer than necessary. I knew she had her dog, and my reasoning mind told me she would be perfectly fine, but I wasn't acting for my reasoning mind; I was acting from instinct. A man just doesn't leave his date sitting somewhere.

Ten minutes later I rolled up in the van, and as we were loading up she thanked me again for my flexibility and apologized for being a few minutes late earlier in the day. I called up a map to her place on my phone, and handed it to her, and she guided us onto the freeway. I could tell she was subtly impressed by the fact that I already trusted her to just take my unlocked phone. As before, we talked nonstop, all the way up to an overlook of the city, where we parked the van for a while because we still didn't want the date to end yet. The dog seemed happy to hang out in the spacious back.

More storytelling, more laughter. We went a little meta, and I made a few observations about how I saw her mind working. She told me a few key stories that knit together pieces from our online conversation, filling me in, giving me time to tell stories of my own. We had an exchange about the mental faculties of programmers that was a nice back-and-forth, with a slow, thoughtful cadence, working towards shared understanding without the need to be "right". I liked that dynamic. In the middle of the conversation she pulled some knitting out of her purse and worked at it for a while, then stashed it away, keeping her hands occupied, which I found completely adorable. Much later I realized that she'd been giving her hands something to do because what she really wanted was to put them on me, and it wasn't appropriate yet. Eventually we drove the few remaining blocks to her house, and against her better judgement, she brought me inside, to her room, and we continued the conversation there.

Neither of us wanted to end it, but at the same time, we both knew we had real lives to maintain. She needed to eat and sleep, and I needed to eat and recover my bike. I said hello to a few of her housemates, and to another very old and adorable dog, and then goodbye to her dog, and then goodbye to her, standing outside the door, leaning in to hug her, enjoying her returned embrace.

"You're good at hugging!" she said.

"Well, you're the right shape for it!" I replied.

As we drew back from the hug she tilted her head up, and instead of moving my hands to my sides I raised them up and cupped the sides of her face. I had already decided it wasn't the right time to kiss her. I also knew I was taking a risk by even holding her in this possessive way, but I couldn't help myself. It seemed a natural enough gesture; a combination of a parting note, and a selfish chance to frame the source of that energy. Neither of us was making any predictions about the future, but we both acknowledged that we had very strong chemistry and wanted to hang out more.

She said I was interesting to her, and important, because she had thus far never met an adult man who could accept her high energy, and take real pleasure in doing so. That surprised me. Hadn't she met a lot of men? It couldn't be rare.

We tried to get together again soon, but it was a logistical nightmare. She lived way up in the Oakland hills, had no car, worked six days a week, had a two hour commute to San Francisco, and had a dog that was her constant companion because he provided medical support for a metabolic condition she'd had for most of her life. She also had to walk and feed the dog of course. And she lived with three housemates, in a cramped and cluttered room, making privacy difficult.

I worked with it gamely for a while. She was fantastic conversation, very energetic and upbeat, and I loved the dog too. But after two or three more outings I began to see a clearer picture of her mind and how it operated, and realized there was a downside to the energy that drove her. She had a tendency to flit from place to place inside her head, and often missed social and emotional cues, and had an unassailably high self-confidence, which in itself was not a problem, but combined with the previous two attributes caused an ongoing cascade of small misunderstandings that were time-consuming to sort out.

She had even alluded to these character flaws in the online profile I read a month before, and I didn't feel like they were deal-breakers. Eventually people learn emotional signals just from pure exposure to a partner, even if it doesn't come to them naturally. Or they accept their limitation, and learn to welcome the corrections people offer them without rancor. "Oh, sorry, I'm bad at signals sometimes." With Аннет, there was something else in play: When she missed a cue and made a wrong assumption, she would fight against appearing wrong, as though that was what was at stake, even if the correction was put very gently, with carefully chosen words to try and keep ego out of the picture. If you didn't have a deft skill at de-escalating, an argument was guaranteed.

Another thing also became clear, and it was surprising to me. Аннет never, ever talked about her emotions. She would talk about her philosophy, her ethics, her work, her ambitions ... but never about how something made her feel. She had well-examined opinions about everything, and would defend or debate them ferociously, but I never got the sense that she was saying anything that felt like a risk -- that felt like she was making herself vulnerable. She claimed - with great pride - that she was an open book, but the last few chapters had obviously been torn out and locked in a desk somewhere, and I was apparently not supposed to notice, or mind. She was holding herself in reserve and I knew it.

I could even sense it in our kissing. Only a few days after the first date, we became physically involved, and her kissing was very practiced and enthusiastic but there was a measure of passion being held in check. Even when she had sex she turned inward, focusing mostly on enjoying her own body and the sensations that her partner was inspiring inside it. That was probably enough for most men - at least, for a while - because her body was a curvy work of art. But it felt strange to me. She didn't feel a need to reciprocate the attention or share the focus. In fact, after four of five rounds of sex, I began to feel as though she was barely in the room with me.

One week, after she'd been entirely out of contact for about five days, she announced that if I wanted to meet her other boyfriend, he would be in town for a pinball tournament. I told her I was hesitant, but willing. Then she described how it would work: She would be spending the weekend with him, in his hotel room, and I could drive down and visit the two of them and check out the tournament.

Now, at this point, I was still fresh out of an 18-month relationship with Эрика, and she was still my basis for comparison. Эрика liked to talk about her feelings. She needed to. She talked about things she was unsure of, so we could hash them out together, like I did. Аннет was totally different. So again, just as with Кэрол, it wasn't the open relationship or polyamorous aspect that bothered me. It was the way she declared that it was Just So, setting the schedule ahead of me, and then confidently declaring that of course she could manage things with care for my emotions, despite this divided attention. Some part of me had assumed that while she and I were nurturing our relationship past the initial stages, she wouldn't go hooking up with her other lovers out of respect for the process. But that was me, trying to apply my own hypocritical standard to her emotional life, and basing my trust on that standard. Polyamory doesn't work that way. You can't assume anything. You need to make the subtext text, and then work with that until everyone's on the same page.

Even though I knew I was reacting unfairly, I very suddenly cooled to the idea of a relationship with Аннет in general. She had laid claim to a title of "expert at polyamory", but here she was constructing an awkward situation without realizing it. I would be meeting this very important stranger for the first time, by driving to the motel where he and Аннет were going to be canoodling all weekend. It didn't feel good. This was a bad setup, and we needed to discuss it.

Which we did, at length, but the discussion did not go where I expected at all. Аннет insisted that my unease didn't make any sense, since sex was just a fun physical activity, no different than going bowling. Would I begrudge her going bowling with a friend? No, of course not. Then why would I begrudge her having sex with this guy? I told her I didn't buy into her premise. To me, sex was very different from bowling. More intimate, more important.

She said she didn't understand, and wanted explanations. She wanted me to present a reasoned argument. I knew I was coming from a place of emotion, but I also knew there were rational arguments I could make. I gave her one based on anthropology, and she responded with a stump speech about how we should all become masters of our instincts in pursuit of the optimal happiness promised by polyamory. I changed tactics and asked her: Why is sex fun in the first place? It's basically a wrestling match ending in fluid exchange -- how dull. Yet it's pursued endlessly and elaborately by nearly everyone on Earth. The point is, its appeal is not based in reason. We don't pursue sex because some debate team won our minds over as adolescents, we pursue it because we are constructed to do so. Whatever reasoning you add to that is only in service of answering the question of how and why we are constructed that way -- not whether. And, it's the same thing with the perceived importance of sex, sexual propriety, sexual access, et cetera. These are complicated and often sensitive issues with real, legitimate emotions driving them, and you can't redraw their foundations with argument, any more than you can argue a gay man into lusting for vaginas on the grounds that it "makes more sense".

She hand-waved past that, reiterating that it was all a matter of integrity and respect, and that in her past, when people had actually trusted her to handle their emotions with integrity and respect, she did right by them, in spite of their nervousness. I couldn't tell if she was trying to gaslight me, or if she really didn't understand that a fundamental difference had just been laid bare between us: Sex meant more to me than a few rounds of bowling. A piece of my soul was in it.

Аннет gave me a lot more words, in spoken and written form. She said that she loved "all her partners equally", but in practice, the most this actually meant was that she currently loved whichever one she felt like making time to see slightly more than the ones she was currently keeping in the holding pattern. Another favorite saying of hers was, "All my relationships thrive on their own merits, separately." The unspoken addendum being, "therefore your jealousy is illogical." Anyone who's ever had to support a lover depressed from a bad breakup with someone else knows that this idea is wishful thinking, polyamory or no.

I gave up on arguing with her, and asked her to describe the other man in greater detail, thinking that if I could build a picture of him in my mind and find that picture approachable, perhaps this scenario could work. She held forth with, "I owe everything to him. It's a relationship deeper than any I've ever had. After four years, it's a connection that I'm not going to just throw away, just because we live on opposite coasts." I asked for more detail. She described how the man and his wife had been married for 15 years, and she'd moved into their house and lived with them for two of those years. How she'd formed a triad from a marriage that was on the rocks; how she'd moved out west when the drama became unbearable and the wife began to hate her, how the man was now already seeing two other women but was "flying out to California on a regular basis, to show me he still loves me."

As the whole story emerged, I grew a bit disoriented. This was the arrangement she'd learned her skills from? It reminded me of the twisted, dysfunctional scenario I'd weathered several years ago. I told her I saw some parallels with her situation and mine, and I wasn't surprised when she protested that opinion fiercely, setting off another long-winded far-reaching debate about polyamory etiquette, and explained that he was both a perfect gentleman to his non-married women (what I couldn't stop myself from thinking of as his "harem"), and a hero to his wife because he was still working on their marriage. She took it to email, and backed herself up with pages of exposition. From my point of view, she could have easily explained herself with a few short sentences: "I still have feelings for him, and I want to keep seeing him. Sure I could move on if I wanted to, but I don't. I'm not ready to go through that pain."

That would be a statement about feelings, however, and she was determined to keep those out of the discussion. To her, sexual politics were a guide to the appropriate emotions, and if we all acted with rational self-interest, we could all get what we wanted.

After a few days of mini-essays back and forth, I grew exasperated with her -- and with myself. I tried to "bottom line" it: She was lovely, and I could keep spending time with her, in and out of bed, if I would just accept that she wanted to bang a couple of other people on an ongoing basis as well. If I never met those people, it would essentially be like we were dating. The usual "don't ask; don't tell" rule would apply. If I met those people, it would be a journey into the world of polyamory again, and I would need to start accounting for the emotions and quirks of several people, only one of whom I had deliberately chosen. Maybe it could work out fine, maybe not.

I suddenly didn't feel up to the task. Not this soon after my breakup.

Besides, the math was bad. I didn't like the idea of getting involved with someone who was overconfident and evasive with her feelings and carrying a massive torch for a man who had, from my point of view, cynically exploited her by welcoming her into his spider-web of a marriage, and was still exploiting her even now from three thousand miles away. (In my opinion, the best thing he could have possibly done for her was to stop talking and disappear.) To get to a place of real commitment with her - if that was ever possible - I would first have to rise to the top in an ongoing competition, with that guy parked on the throne. It sounded like a slow road to heartbreak.

A few days later, I officially called off the relationship, and moved on with palpable relief. She seemed stunned by my reversal, and also stunned because I had made no attempt to bargain with her, even after all that discussion. I had just picked up my hat and gone for the door after making my discomfort known. She kept pushing me for details, and we corresponded enough for me to admit that I didn't think I could put in the work of polyamory with her in good faith. I said I just wasn't ready.

What was the real truth of the rejection? If we were just dating and I was having fun, how much should I care about all this? Аннет was fun to talk to and a physical knockout. Maybe it was just the logistics: I would be dating a woman living deep in the suburbs with no car and no bicycle, with crazy work hours, little money, and a 24-hour mandatory dog escort, who was dividing her time between me and several others. The cynical part of me probably just thought "I can do better."

A few days later she emailed me to ask what she should do with the socks I left in her room up in Oakland. I told her to just throw them away. About a week after that, I received a package in the mail, and within it, the two dirty socks. I sat on the steps to my house and laughed, and then pitched them into the garbage can. At least we had both treated each other with integrity and respect.

Quite a while later - about a year or so - we spotted each other in a park while she was out walking her dog. She smiled and waved at me, but I didn't wave back because I was on a date at the time. That evening we traded a few kind words of greeting online. Аннет and I weren't a perfect match, but I'll always remember that energy radiating from her face like a sunbeam.

dewline: Text - "On the DEWLine" (Default)
[personal profile] dewline
A StarTrek StarCharts/StellarCartography question:

I suspect that HD 29172 used to be the preferred host star for Rotarran, thanks to the Hipparcos Mission data. Gaia Mission seems to have corrected the location of that star from 204 ly from Sol to 521 ly, though.

Granted that the shows as broadcast from 2017 are mostly sticking with the XY placements of known stars as published back in 2002. That's an editorial decision I mostly accept.

Here's some of the candidates I'm looking at, encircled for your review and discussion. Among them, HD 17224 is an A0V, and the thing that gives me pause about that star is that it's over 300 ly "below" Z=0.

I'm looking for opinions, rather than definitive answers here.

An excerpt from a Work-In-Progress map of the Rotarran region of Klingon space
dorchadas: (Azumanga Daioh Chiyo-chan bus gas)
[personal profile] dorchadas
I technically should have written this last week, but I wanted to delay it a week because of an extremely momentous event:

2025-08-19 - Laila's First Day of School

It was Laila's first day of school!

She had a good time and we had no incidents with her going away from us. Unlike some of the other kids, who cried when they realized that their parents were not going with them into the school, Laila just looked around a bit worried and confused. I imagine she was trying to figure out what was going on and if she needed to start crying too if the other children were reacting that way, but we left while one of the teachers was talking to her and when [instagram.com profile] sashagee came to pick her up, she wasn't told about any incidents that had happened. And today, when we told her she was going back to school again, her reaction was "Yaaay school!!" so we had about the best possible first day we could.

She's only in half-day preschool at the moment because she hasn't been in any kind of structured environment like that without one of us present, ever--no daycare, no other school, and all her classes one of us was there. The first day at least went well. Hopefully the first week goes well.

In other good news, Laila is finally happy about using the potty for everything! She still has accidents--she's four, of course she does--but she'll run into the bathroom and sometimes we'll hear clapping and "Yaaaaay! Good job! Big girl!" from her and know we need to put another sticker on her chart. Her last bonus she got when she hit thirteen times was a princess tiara and a magic wand, both with Ariel the mermaid on them. Laila is still super deep in her princess phase.

Perhaps more interesting, in that it's atypical of four-year-old girls, is that she loves watching train videos, both ones of train crossings where the train goes on, and those videos taken from the front of trains--this one has gotten a lot of play lately--and she loves them so much that she's been requesting them even above Bluey or Hello Kitty Supercute Adventures. She's always been into trains, and even as a baby when we'd take her on the L she would get excited when a train would pull up to the station, so it's not out of character for her. But this specific interest has only appeared in the last month or so.

She's doing well in her swimming classes. She still throws all kinds of things into the pool, but last class was the first time she jumped off the wall and swam across half the lane to her teacher again.

Unfortunately, she had another seizure recently, but the doctors seem convinced that it's because she's growing and needs her medicine adjusted for her weight. They're raising it a bit and we'll see what happens. It's worrying, of course, but I'll just have to see what happens. But the doctors don't seem too worried.

Her language is improving, slowly. We have her in occupational and speech therapy--again, I think the state was incorrect in graduating her out of therapy when she was turning three--every week, and like I've said, they seem optimistic that she doesn't need too much help. She's been using more sentences, like "I've got my princess stuff!" and "I want to go to school," at least when she's not remembering that she's supposed to be staring at us and not talking to us. She definitely has some stubbornness and thinks, "Oh, abba and mama want me to talk? Then I won't!" But if we catch her while she's excited and doesn't remember that, well, then the words are starting to come out.

What other ways will she grow and change?

Due South Geography Questions

Aug. 18th, 2025 09:02 pm
dewline: "Thank you kindly" - text only (Thank you kindly)
[personal profile] dewline
Does anyone in the fandom hereabouts remember the address of Fraser's first apartment building, as well as the general neighbourhood of same?

I'm thinking this is a thing that must be added to The Atlas of Imagined Cities, and it didn't get included in the Chicago section.
dewline: A fake starmap of the fictional Kitchissippi Sector (Sector)
[personal profile] dewline
I'm wondering about two stars, WT 767 and 768, both in Indus (I believe, after checking Gaia Sky), and it looks to me as if they're barely a light-year from each other. If I'm correct, they might be a candidate as "host" stars for Sullivan's Planet from "The Sehlat Who Ate Its Tail".

In which case, maybe HD 205156 can serve as "Helicon"?

I'm also asking my WT 767+768 question on the Celestia Discord server.
garote: (golden violin)
[personal profile] garote

Still feeling adrift, I kept entertaining the idea of dropping everything and moving to Australia. When it seems like a great plan to start over on the opposite side of the planet, you're in a strange mental space...

One day I browsed Australian profiles on the dating app, and came upon Линдсай. Her writing was exuberant and intelligent, and I marked her as "four stars" in the user interface and sent her a playful message. She saw the mark right away, and replied to the message only a few minutes later, which was surprising because of the time difference. It was 10:00pm where I was, making it 3:00pm in Melbourne. I assumed she was at work.

We dropped into the chat console and began firing a ton of questions back and forth about our urban environments and overlapping pieces of American and Australian pop culture. I told her I was having fun reading through poetry collections, and she told me "hold on a minute" and went quiet. Five minutes later she asked for my email address.

The email was a recording of herself reading poetry aloud, and I was shocked to find it was turning me on like a light switch. The timbre of her voice and her reading style reminded me strongly of Шеррила, and her accent was fascinating. I told her how much I loved it, and she offered to call me via Skype. When I started speaking, she replied that she found my voice weirdly erotic as well. We joked and horsed around late into the night. She held the microphone near her window so I could hear the sounds of the bats nesting in the trees outside. I told her about a strange dream I'd had a few days earlier.

Finally it was so late that I absolutely had to sleep, so we said goodbye and promised to call each other again soon.

A day later we chatted online at our respective jobs, and got very wound up with sexual tension. I drove home, and when I arrived I found an email from her:

"I just want you to know that I'm home now, and when I got here, I had to tear off all my clothes and get busy with my hands, with your voice echoing in my head. I want you to know that you did this. You made me do this."

I found that hilarious and flattering, of course, and soon we were talking online again.

A few days later, we hit a speed bump: I asked her for more pictures of herself, to fill out the ones I'd seen on the profile, which were all headshots. She responded that she wasn't ready to share them yet. I knew she was a young redhead with freckles and an adorable voice, but I didn't know what shape she was in, and if I was going to dream about her I wanted a body to attach to her head. I asked her several times over the course of a week of conversations, and each time she got very agitated and told me to cut it out. After the third time I apologized and told her I wouldn't bring it up any more.

We had a few more live conversations that were great fun, but I couldn't help feeling like she was hiding something from me, and my sense of trust in her took a left turn and got lost in the weeds, in spite of her voice. ... That, and, the inescapable fact that she was thousands of miles away across an ocean, and seriously pursuing her would mean following through with my fantasy of leaving the country.

A few days passed without correspondence, and she dropped off my radar. I was left with a sense of whiplash about the whole thing. How could I have felt such deep chemistry over a disembodied voice? And why the hard limit of sharing pictures from the neck down, after so much explicit talk?

The first thing I thought of was that she was out of shape and very sensitive about it, and felt that as soon as I saw her body I would disappear. If she believed that, then she believed it was better to perpetuate the fantasy of her in my head so she could enjoy my enthusiasm before it was killed by additional information. I had been too polite to demand a reason why, but even my politeness was a signal that I knew too much: Nothing she said, and nothing in her profile, gave any kind of alternate theory, and if she thought she was unattractive, odds were I would probably find her unattractive as well.

And what's the point of being in that situation? Either you trust someone not to reject you immediately if they see your whole body, just like they would if you met in the physical world, or you need to trust someone enough to tell them that you're worried about being rejected and want them to hang around a bit while you work up the courage and decide whether they're worth the pain of rejection. If you can't trust them with the sight of your body or the state of your mind, what are you getting out of it?

Update: 16 August 2025

Aug. 16th, 2025 09:04 pm
dewline: Text - "On the DEWLine" (Default)
[personal profile] dewline
I got the bins from Canadian Tire.

I'm still recovering from the shopping trip. Considering that I walked half of it in the weather I did, I should have gone directly to bed.

Came downstairs to the office, instead.

Thinking about cleaning the iCan-branded computer-mouse, particularly the scroll-wheel. If I knew where on iFixit to look...

Checking In - 16 August 2025

Aug. 16th, 2025 12:58 pm
dewline: Text - "On the DEWLine" (Default)
[personal profile] dewline
Chores.

That's my word for today.

Bedding-laundry, shopping, computer-mouse replacement, new colour-pencils for Mom, and if I can push myself the rest of the way, new storage bins to keep the basement reorg process going. Not sure that last item is going to be doable with today's local weather. Hot and humid.

Talked with the writer of San Francisco 2161 last night about proposed maps for his now-finished Trek-inspired fanfic project about the negotiations to co-found the Federation. What maps should there be attached, what forms they should take, that sort of thing.

I'm also toying with an idea for a prose fanfic project of my own centred on one of the participants in that story and a prequel, In the Raptor's Claws about the Coaltion-Romulan War that preceded the Federation. Specifically Nathan Samuels, whom Enterprise-watchers may remember as portrayed by Harry Groener. Not sure if this is going to go anywhere beyond maybe a couple of paragraphs before getting derailed by a job offer or loss of housing or whatever.

We'll see.

Game Review: Jupiter Hell

Aug. 15th, 2025 02:47 pm
dorchadas: (Wolf 3D Kill All Nazis)
[personal profile] dorchadas
I'm going to start this review by talking about my first ever roguelike win, which was not in Jupiter Hell.

Over a decade ago, a single developer did a couple short roguelikes for the 7DayRL Challenge, including one based on Aliens (AliensRL) and one based on Diablo (DiabloRL). The latter is really great and I wish there had been more development on it--it has a function where you can point it at your Diablo installation and it'll play music, sound effects, and voice clips from the game, but lightning damage still hasn't been implemented. More relevant to this review, though, was DoomRL, based obviously on Doom. You pick up a shotgun and kill demons while listening to E1M1 / At Doom's Gate. It's a roguelike, though, so you also pick a class from marine, scout, or technician, level up and get to pick perks that change your playstyle, from gaining extra HP to dodging attacks easier to being able to dual-wield pistols to auto-reloading shotguns when moving to making melee attacks with zero turn cost if you kill an enemy while doing it. Since moving increass your dodge, it may be the only roguelike in which circle-strafing is an actual viable strategy.

After playing it for a long time and eventually using a Marine with an Ammochain build and plasma rifle (every burst consumes only one ammo), I was able to consistently make it to the Cyberdemon, and eventually I made it there with a thermonuclear bomb and also having gotten an invincibility powerup the previous level, so I activated the bomb and it blew up the entire level...and revealed secret stairs down to even more levels! I kept going and made it down to the Spider Mastermind and killed it, thus attaining the true ending. Or so I thought until literally today, when I learned there's an even more secret ending if you also nuke the Spider Mastermind and then you get to go fight John Carmack. So maybe I should get back to that.

But back to Jupiter Hell, eventually id Software politely asked if DoomRL could please not use their IP, and so it become DRL, and then creator said he was going to make a graphical roguelike with the same premise called Jupiter Hell. I bought it years ago, a couple weeks ago I cracked it open seriously, and now I've beaten it. Rip and tear.

Jupiter Hell - Fight the Butcher
Ahhh, fresh meat.

Read more... )

Oh boy! Horror we go again!

Aug. 13th, 2025 04:42 pm
garote: (ghostly gallery)
[personal profile] garote
Weapons (2025)

If there was an ad campaign for this, it never reached me, but when I heard it was created by the director of 'Barbarian' I got interested.

I read a single review, which described it as a slow-burn exploration of how a small community deals with the sudden disappearance of a bunch of children. So I expected lots of intimate character work and conversations about grief and paranoia, with some spooky happenings and perhaps a central mystery to solve, shot with the same high-quality camerawork and pacing from Barbarian.

Turns out, the mystery was more prominent than I expected. The screenplay was carefully built to walk back-and-forth over the timeline of the disappearance and let you solve it in layers. That was cool, but with so much attention given to plot, the characters don't get as much depth as I was hoping for. No matter; the journey has lots of weirdness and humor, and the ending is so delightful and cathartic that you can't help leaving the theater satisfied.

Death Of A Unicorn (2025)

Oh my god, we get it already, rich people are assholes. Didn't need two hours to learn that.

The CGI is trying very hard to match the puppetry but feels uncanny in the action shots. Will Poulter is amusing, Paul Rudd throws his role way over into cringe -- trying to be funny I guess? Ends up just cringe. Jenna Ortega's role is absolutely thankless. I feel bad for the actress, playing a role that is basically a surly adolescent version of Cassandra from Greek myth. I get the impression that a lot of the dialogue was improvised in repeated takes.

4.5 out of 10 purple dranks up.

Nosferatu (2024)

It's refreshing for a modern director to put a vampire on screen that's much more revolting than seductive. It's got to be a harder sell for a movie studio, but I assume it was due, since Stephenie Meyer and Anne Rice have collectively dominated vampire fiction for almost fifty dang years. Lestat and Edward have cast a long shadow (har har). Meanwhile, What We Do In The Shadows has only engaged with gross vampires for comedic purposes. To see a truly disgusting bloodsucker is novel again.

Be warned, I'm going to walk into spoiler territory in the next paragraph. If you want to stop here, the take-away is this: It's like watching two teenagers with old-school braces trying to make out. It's tragic, sexually frustrated, kinda gross, and goes on too long. But on the other hand, the visual effects are brilliant. I'd give it six diseased rats out of ten.

Perhaps if I sat down and watched it a second time, I would feel properly drawn into the atmosphere. Or perhaps if I'd seen it in a theater with a horde of impressionable young viewers around me, laughing nervously at the gore while speed-munching popcorn. I tried to get ideal conditions at home: A dark room, a nice chair, good headphones, a rainstorm happening outside. But the most I could feel was a sense of respectful appreciation, for the craft in the set designs, the wonderful lighting, and gross practical gore effects.

The director Robert Eggers has thoroughly rewired the story to make it as much about Mina Harker (Ellen in this case, for whatever reasons) and her weird connection to the monster. It's all set up in a creepy prologue that, unfortunately, also sets the tone for the visual standard we're operating in: We've got great practical effects when the bodies of actors are involved, but outside that in the wider shots and the landscape, the universe is a lantern show of computer-hallucinated forests and moldering estates, populated by animals that don't quite move the way you expect. It manages to look really cool and expensive without actually looking real.

But how much should that matter, when we've got a good concept to sink our fangs into? Mina Harker's connection (yeah I'm just gonna go ahead and call her Mina, I find it less confusing) to the vampire is a much more articulated combination of non-consensual and consensual feelings here, and she struggles with it right to the end. When she's around Jonathan, the feelings are at bay and she seems genuinely happy, but as soon as he leaves her side a powerful, terrifying combination of attraction and revulsion for something alien surges up to take his place. Sometimes it's treated like manic depression, sometimes it's used to explore how Mina's social position as a woman confines and infantilizes her: When she's not denied agency outright, she is chided for pressuring the men around her to act on her behalf, as they drag everyone into disaster and then flail ineffectively trying to escape.

And we get another angle as well, one that's more subtext than the others: Mina's helpless attraction to what is socially unthinkable, discovered by herself at an early age and then subsumed out of fear and confusion, then making her miserable as it bleeds through into her adult romance... It's all distressingly familiar. Mina is in the closet. Shut hard, and dying from the inside out. This version of Mina does so much more interesting work than Meyer or Rice or Francis Ford Coppola gave her.

So, this movie doesn't work for me as atmosphere, and the action scenes are frankly bad, and the flailing and hand-wringing in the third act goes on too long, but the concept lingered for a while afterwards even as the bloody visuals drained away. And that Counts for a lot.

Smile 2 (2024)

I had such optimism for this movie. The first go-round was an exercise in style over substance, providing a series of escalating scares and twisted scenes that I enjoyed, even though it didn't have a coherent plot, or hold together as a story in the end. The reviews for the sequel claimed that it was a better film all around, but putting it bluntly: It was a retread, without a coherent plot, that didn't even hold together as a story in the end.

Just like the first film, what you get instead of a story is a series of rug-pulls and fake-outs that get worse and worse until they end, and you are left with no clue what to believe, since apparently all of the secondary characters that the protagonist interacts with for more than a few lines throughout the film - yes, ALL of them - turn out to be hallucinations or false memories or some other nonsense. And by the end it's just as brazen as the first film: The entire third act turns out to be a bullshit rug-pull. Which I would have been more upset about, except that the sequel had already wasted so much of my time with absurdly telegraphed twists and padded buildup that I was bored and starting to impulsively check my email instead of paying attention.

It's that cardinal sin, folks. It's why writing is hard. You can't waste your audience's time, even for a couple seconds.

I assume the writer/director was given the green light to make this based on the box office success of the first. And so he decided - why not - let's just do exactly the same thing, beat for beat, except with more money and longer takes. Well, good for him. Money in the bank. But shame on me, for letting this hack fool me twice.

Arcadian (2024)

This one flew under my radar for most of the year until I read about it in a review for another horror movie. It was a favorable comparison, saying that Arcadian had much more interesting creature design, and a script that did a better job building empathy for its characters.

That review built up my expectations a little too high. I'm a very jaded horror fan, so you can (and should) interpret this as praise, but ... I would place this movie just over the line into "worth watching" territory. The creature designs are indeed interesting and the characters are empathetic, but the movie is also frustrating in several ways. The big problem is, there are too many questions raised and then left unanswered. Like, in a post-apocalyptic world full of weird critters, what caused the apocalypse? In the story, it's been almost two decades since the decisive event - whatever it was - and yet no one knows what it was?

That could be plausible with specific constraints. Like, all communications suddenly stop working, and we're following the story of a community that was already isolated, and the creatures are suitably ambiguous that they could be monsters from space or some kind of plague-addled mutation or dwellers from the sea come ashore, or whatever. But the world of Arcadian is not that constrained, and the clues in the story don't fit together. So you have questions, and none of the characters are asking them. Which is natural for people jaded by twenty years of trying to survive, but unfortunately, not very interesting.

With one exception: One young man, central to the plot, who tries to trap one of the creatures in order to study it. What does he learn? It's unclear; possibly nothing. But that may be deliberate, because it turns out that instead of navigating an apocalypse, or even solving the mystery of one, this movie is mostly about something else:

The absurd angst of teenage masculinity. The way it can make young men behave like morons, and can also make them incredibly vulnerable to exploitation, to the point where it seems completely impossible that any young man would become a responsible father like we see in some of the other characters. It's actually refreshing to see a story about this unfold without pulling any punches.

If you decide to watch this, you will get a decent horror setting, but you will primarily get a platform for some interesting discussions about young men. Might even be useful in a classroom setting.

Six Sesame-Street-inspired weird critter limbs up.

Big Trouble In Little China (1986)

I pulled this one out of the vaults because it had been a very long time and I remembered it being very silly. It turned out, I only remembered a quarter of the silliness. You could say there was 300% more silliness than I was expecting.

I was a kid in 1986, so I didn't notice that this movie was released in a year where it went toe-to-toe with Aliens, Top Gun, Star Trek 6, and Ferris Bueller’s Day Off. It held its own, and has since risen in esteem.

The director, John Carpenter, said this in an interview shortly after the film was made:

"I'm almost 40 years-old now. And since I'm getting older in my career, I thought I'd better do something nuts while I still could do it. But I think the primary reason for making Big Trouble In Little China is to see the world through the eyes of my son, who's now two years old. I can see a really ridiculous, fun world, an enormous, wondrous world."

"Rambo 2 was out, which was the template for action films. They were all patriotic," Carpenter says. "They wanted an action hero. I don't think they realized that I would make the white guy look like a blowhard John Wayne idiot who couldn't do anything."

Kurt Russel chimes in: "John and I wanted to have a guy who wasn't as sharp as he thought he was. Jack's a blustery sort of blowhard who has a lot of self-assurance. And it really is not too handy. That made playing him a lot of fun because Jack gets out of trouble in ways you wouldn't expect him to."

The immediate result was that the Fox studio execs tried to make Jack look more heroic, by forcing Carpenter to add a scene to the beginning of the film, wherein Egg Shen praises Jack's "great courage" to an attorney.

From the liner notes to the official soundtrack: "While Big Trouble In Little China referenced no end of Hong Kong and American action films on its journey, John Carpenter's most referential ode was saved for the rocking end credit song by the Coupe de Villes - a group comprised of the director and his pals Nick Castle and Tommy Lee Wallace. Carpenter had first played with Wallace in their high school band Kaleidoscope, and then jammed with Castle while both studied film at USC."

"The way I look at it, no one's ever too old for rock n' roll," Carpenter says. "I thought this was a perfect chance to do a main title. It was also something else making that music video. We shot it through the course of one night on a little sound stage. The whole idea was to get to sing and strut our stuff. No one else was going to pay us to do this. In fact, we didn't get paid to do it! The experience was ridiculous, and also a lot of fun."

Watch this weird toybox of a movie, preferably with some kids sitting around to laugh at it. A nice use of a few hours.

Non-Horror:

Thunderbolts*:

7 out of 10. Surprising thematic choices for a Marvel film. Dramatic scenes handled much more gracefully than anything James Gunn cranks out, but it's still a "ragtag group of crappy people saves the day" thing, which means it may as well be by James Gunn.

Latest Mission Impossible film

6.5 out of 10. Really cool dialogue-less underwater action sequence. Neat plane stunts. Drags at the beginning. Script is ponderous and overcooked.

Fantastic Four:

6 out of 10. A wisely skipped origin story, some glorious retro-futuristic set design, a really stirring action sequence built around a medical emergency. Good stuff. But the script really, seriously struggles with making us know these comic characters as real people. It's the Marvel formula showing its age, really: You need some greater theme or more interesting premise to explore. "What if there were people with cool fantasy-story abilities we don't see in the real world, marching around using them in the real world" as a concept has been so completely beaten into the ground at this point that you'd need mining equipment and paleontologists to recover it. But what else is Marvel going to do?

We grant you the rank of developer

Aug. 13th, 2025 01:02 pm
dorchadas: (Perfection)
[personal profile] dorchadas
Last night I was officially invited to become a developer on Cataclysm: Dark Days Ahead.

It's kind of funny because like 99% of my work is on the mods that ship with the game--I barely ever do anything on the core game itself. But because I'm so prolific--I've submitted the most PRs every year for three years running now--I elevated myself to one of the devs.

It's a free open-source game, so this position comes with no salary, no responsibilities, and no real cred except among fans of niche roguelike survival games. But nonetheless, all my work on the game got this for me!
dorchadas: (Chrono Trigger Campfire Scene)
[personal profile] dorchadas
You ever have a game come out of nowhere and just kind of...take over your gaming life?

In 2023 it happened with Cataclysm: Dark Days Ahead, an event which has repercussions to this day, considering how much hobby time I spend how on developing CDDA--we're about to release the 0.I version and I have top billing in the special thanks section--and this year it happened with Vintage Story. I can also blame that on CDDA, since on the development discord people would constantly talk about Vintage Story, about mining and smithing and clayforming and farming and being attacked by bears that lunged at them out of the underbrush. I watched the stories with fascination while I played Horizon's Gate (which I still plan to get back to), and around halfway through January I finally gave in, went to the dev website and bought Vintage Story, and downloaded it. I installed a few mods that came highly recommended like that one prevents a fire temperature from resetting on each item in the stack, loaded up the game, and was promptly greeted with a very familiar sight:

Vintage Story - Autumn River Valley Review
Admit it, you can hear the song.

Read more... )

Code commentary

Aug. 12th, 2025 01:12 pm
garote: (programming)
[personal profile] garote

I rarely write about my work here. But today I think I will!

I've worked on many codebases, with very large numbers of contributors in some cases, and only a few in others. Generally when you make a contribution to a large codebase you need to learn the etiquette and the standards established by the people who came before you, and stick to those.

Not making waves - at least at first - is important, because along with whatever code improvements you may contribute when you join a project, you also bring a certain amount of friction along with you that the other developers must spend energy countering. Even if your code is great you may drag the project down overall by frustrating your fellow contributors. So act like a tourist at first:

  • Be very polite, and keen to learn.
  • Don't get too attached to the specific shape of your contribution because it may get refactored, deferred, or even debated out of existence.
  • It won't always be like this, but no matter what kind of big-shot you are on other projects, it may be like this at first for this new one.

Let me put it generally: Among supposedly anti-social computer geeks, personality matters. There's a reason many folks in my industry are fascinated by epic fantasy world always on the brink of war: They are actually very sensitive to matters of honor and respect.

Anyway, this is a post about code commentary.

In one codebase I contributed to, I encountered this philosophy about code comments from the lead developers: "A comment is an apology."

The idea behind it is, comments are only needed when the code you write isn't self-explanatory, so whenever you feel the need to write a comment, you should refactor your code instead.

I believe this makes two wrong assumptions:

  • The only purpose of a comment is to compensate for some negative aspect of the code.
  • Code that's easy for you to read is easy for everyone to read.

The first assumption contradicts reality and history. Code comments are obviously used for all kinds of things, and have been since the beginning of compiled languages. You live in a world teeming with other developers using them for these purposes. By ruling some of them out you are expressing a preference, not some grand truth.

Comments are used to:

  • Briefly summarize the operation of the current code, or the reasoning used to arrive at it.
  • Point out important deviations from a standard structure or practice.
  • Explain why an alternate, simpler-seeming implementation does not work, and link to the external factor preventing it.
  • Provide input for auto-generated documentation.
  • Leave contact information or a link to an external discussion of the code.
  • Make amusing puns just to brighten another coder's day.

All of these - and more - are valid and when you receive code contributed by other people you should take a light approach in policing which categories are allowed.

The second assumption is generally based in ego.

I've been writing software for over 40 years, and I haven't abandoned code comments or even reduced the volume of the ones I generate, but what I have definitely done is evolve the content of them significantly.

I've developed an instinct over time for what the next person - not me - may have slightly more trouble unraveling. That includes non-standard library choices, complex logic operations that need to be closely read to be fully understood, architectural notes to help a developer learn what influences what in the codebase, and brief summaries at the tops of classes and functions to explain intent, for a developer to keep in mind when they read the code beneath. Because hey, maybe my intent doesn't match my code and there's a bug in there, hmmm?

The reason I do this is humility. I understand that even after 40 years, I am not a master of all domains. The code I write and the choices I made may be crystal clear to me, but not others. Especially new contributors: People coming into my codebase from outside. Especially people with less experience in the realm I'm currently working in. For the survival of a project, it's better to know when newcomers need an assist and provide it, than to high-handedly assume that if they don't understand the code instinctively, then they must be unworthy developers who should be discouraged from contributing, like by explaining what's going on you are "dumbing down" your code.

Along the same lines, it's silly to believe that your own time is so very valuable that writing comments in code is an overall reduction in your productivity.

You may object, "but what if the comments fall out of sync with the code itself, and other developers are actually led astray?"

I have two responses to this, and you may not like either one: First, if your comments are out of sync with the implementation it's either because your comments are attempting to explain how it works and the implementation has drifted, or your comments are explaining the intent behind the code, and the behavior no longer matches the intent. In the first case, the comment may potentially cause a developer to introduce a bug if they're not actually understanding the code. But if they're reading the code and they can't understand it because it's complex, then the commentary was justified, and it should be repaired rather than removed. (Or, you should refactor the code so you don't need to explain "how" so much.) In the second case, someone has already introduced a bug, and the comment is a means to identify the fix.

And second, if it feels like a lot of trouble to maintain your comments, then perhaps you write great code but you're not very good at explaining it in clear language to other humans. You should work on that.

If it's your project, you can make the rules, and if it's your code, then obviously it's clear to you. But if you want to work on a team, and have that team survive - and especially if you want to form a team around your own project - then you need a broader philosophy.

By the way, I should note that there are less severe incarnations of "a comment is an apology" out there. For example, "a comment is an invitation for refactoring". That's a handy idea to consider, though it still runs afoul of the reductionist attitude about the purpose of comments.

You should indeed always consider why you think a comment is necessary because it might lead to an alternate course of action. Even if that action has no effect in the codebase itself, like filing a ticket calling for a future refactor once an important feature gets shipped, it may be a better move. But this is an exercise in flexibility, and considering what you might have missed, rather than a mandate that code be self-explanatory enough to be comment-free (and an assumption that you personally are the best judge of that.)

Here's my own guidelines for writing comments. They're a bit loose, and they stick to the basics.

  • Comments explain why, not how.
  • Unless the how is particularly complicated. Then they explain how, but not what.
  • Unless the what is obscure relative to the standard practice, in which case a comment explaining what might be useful.
  • You learn these priorities as you go, and as you learn about a given realm of software development.

Always be thinking about the next person coming in after you, looking around and trying to understand what you've done. And, try to embrace the notes they're compelled to contribute as well.

One date with Анжела

Oct. 22nd, 2010 12:21 am
garote: (chips challenge eprom)
[personal profile] garote

Анжела was a self-proclaimed "Wisconsin girl."  Also a research scientist working in a university lab.  Tough-minded, very friendly, with a positive attitude and a very natural mode of dress and comportment.  All things that I liked, on paper.

There was something that I found immediately strange though. All her correspondence was in short stanzas with no capitalization and almost no punctuation, as though her inner monologue was free-form poetry. We sent a dozen long messages back and forth before we arranged a date, and she never strayed from her pattern.

Her opening message to me was:

your words make me think

you are an elitist

in many respects.

i prefer to delude myself into thinking

that i am not

which then makes me one

doesn't it?

At this time, a meme was drifting around in the still-developing world of online dating, about something called "negging." Doing this meant starting a first conversation by making a negative observation about the other person, forcing them into a subordinate position of power, where they feel compelled to defend or justify themselves to you. It was supposedly something that pick-up artists did, to try and get women in bed as fast as possible at the expense of their self-esteem. I'd heard of it, but I had no idea if it was a real thing, statistically. I wondered if Анжела knew she'd started in that territory. She was probably just trying to be funny.

Scientist that she was, Анжела declared that her presence on okCupid was an experiment she was conducting to see how she reacted to online dating. She didn't seem to be applying a lot of rigor, though. She rescheduled our first date a few times, then said she needed to potentially cancel any time up to the night before, which informed me that she was probably cramming me in around too many dates with other men that she was negotiating with all at once.

...No, I don't think I was jumping to that conclusion unfairly. Even the busiest woman I'd ever dated - Кэрол - was able to make a single declaration for a time and a place to have a first date, and stick to it with confidence, even though she was in a high-stakes management job and also juggling back-to-back dates with me and another man. First dates are important, and if you're throwing it all over the place on the calendar, while logging into okCupid every day, you're either fatally disorganized, or deliberately bringing your C-minus game.

That's one of the most horrible things about the accessibility of dating apps: People who are taking it seriously are mixed randomly together with people who are not serious at all, or even malicious. It's a jungle in there.

I arrived up at her place a few minutes late and all sweaty from a bike ride, after having some difficulty finding her house. It wasn't a very good showing on my part, but she seemed to take it in stride. I confessed that I felt too gross to be acceptable in a fancy restaurant. She very kindly loaned me two of her shirts and waited while I took a bird-bath in her sink.  There was no sign of "negging" or anything close to it: From the first moment in person we dropped into a lovely banter, with plenty of jokes and side-references. She ranged around the conversation effortlessly, and slid into a nice partner context as she drove to the restaurant and I read out navigation on the phone. The only wrinkle was that I felt a little nervous keeping up with her, as though her high energy level demanded that people around her speed up to match it.

After storming through a variety of topics, we decided to share a few stories from our dating past, while acknowledging that it was a tricky subject because it could easily bleed into the present. I chose the tale of my recent history with polyamory, because I thought the car-crash nature of it might be something we could laugh over, but while I was giving her the basic outline I saw her expression change. The smile faded from her face, and all her energy seemed to drain away, turning her into a different person.

I edited the story down to just a few sentences to kick it behind us, sensing it wasn't a good topic. Instead of commenting on it, she began to tell me her own story, with an equivalent car-crash nature: She'd been deeply in love with a guy that she'd had a long-distance relationship with, and then he'd suddenly cheated on her, breaking her heart, and damaging her severely. He'd been very callous in the aftermath, and it had taken her years to recover, and made her weirdly paranoid in several relationships in the meantime, to the point where they too were derailed.

She was on the edge of tears as the finished the story, and it was clear she was still not finished rebuilding herself from it.  I knew that was a red flag, but I decided that from my point of view, Анжела was still a fine person to date and even a good person to consider a relationship with because it seemed to me she had the tools to keep working on her trauma and plenty of space to exist outside it. I couldn't blurt something like that out at the dinner table of course - it would be weird and judgmental - but the thought did form in my head. In the immediate moment I just wanted her to feel better, and get back to having a nice evening.

The trouble was, I couldn't find a way to rescue the mood. I offered kind words and apologized for reminding her of the incident, and I didn't know what else to say. More stories about trauma seemed inappropriate. I had a story from my own past about being cheated on, but telling that felt wrong. Eventually I changed the subject and things brightened up, but not to the happy, effervescent state they'd been before.

After dinner we drove back to her house, and she said she'd had a nice time and wished me well as I rode my bike away, but I could tell something had gone sideways.

I sent her a thoughtful summary of the evening, saying how much I appreciated her conversation and helpfulness, and the ease with which we collaborated, and saying I was open to another date any time. I did confess that I felt a little nervous tension at the end, and suggested we do something relaxing next time. She responded with a few stanzas:

thank you for your assessment of the evening.

I do not know you well enough

to like or dislike you

but we have interacted sufficiently

for me to determine that the tenseness

would not easily subside.

good luck in your quest.

I was upset. Arriving sweaty and invoking trauma had not been good moves, but I still felt like I'd been rejected unfairly. There was nothing I could do of course. I decided to ask for an explanation, though I knew I didn't deserve one:

Out of curiosity - not out of a desire to argue the point - what “went wrong”?

The response was one line:

what “went right”?


That shut me right down.

My ego was bruised. I began to feel sick with dating, and wrote a frustrated journal entry on okCupid about how everyone seemed to want fireworks and chemistry on the first date, or was shopping for something without factoring in the basic humanity of themselves or their potential partners. It was pretty shrill, but I got a few people commenting kindly on it anyway.

Weeks later, Анжела would spot me at the Museum of Modern Art, on a date with an extremely attractive young lady named Авра.  I was nicely groomed and dressed in fine black clothing for the fancy event, and feeling quite confident, and she stared me up and down with a curious expression that I couldn't read. Was it interest, or panic?  At the time, I didn't even recognize her. All I remembered was feeling confused to see some vaguely familiar woman staring bug eyed at me, then I caught up with Авра and moved on to the next room. I only realized it was her from a casual-sounding message she sent me later on.

I saw you at the museum of art last weekend.

tell me how you have been.

I ignored it. I felt there was some kind of danger in reconnecting with Анжела, because the way she came across in text was so strangely different from the kind way she acted in person. Which side or her was real?

The whole incident also gave me food for thought about second chances in the online dating world. When you're offline, out in public, there is no expectation that a date is going to happen. You either keep showing interest or you don't, and if you don't, it was never a date: It was just some casual conversation in a store, or some friendly comment on public transit, or whatever. But online, as soon as you agree to meet in person, it's a date, and that means there are stakes. Now you suddenly need to keep from blowing it. You have time beforehand to worry about how you look, what you say, where you go, et cetera.

This all seems to point in one direction: No one should ever get a second chance in online dating, because if they blew the first one they clearly didn't deserve even that.

But of course, there's also zero guarantee that the person you're about to see is anything like the person you're picturing in your head, or the person who appears on your phone. This means a first date is much more likely to have a bad outcome, statistically, than one arranged in the real world. So you end up preparing for a crappy date just as much as you would for a great one. That's potentially a lot of wasted time.

It can get overwhelming. You might be tempted to show up in rumpled clothes, under-slept, ten minutes late... Book two dates a night, five days in a row, cancel them or just fail to show up... Put the onus entirely on them to impress you, and if they don't, ditch them in the middle of the meal... What are they going to do, send you a snippy note and get blocked? If most of these people are going to be rejects, why spend the energy, right?

Mulling this over, I looked at the last six months of dating and realized that I was guilty of this lazy approach. It was to a lesser degree: I'd never stood anyone up, or failed to do any preparation, and I'd certainly never tried to be callous, but I did feel like I was in some kind of hurry, which was ironically causing me to waste time overall. Like, instead of arriving sweaty at Анжела's house, I could have left earlier and finished the last few hours of my workday at some cafe a few blocks down, then walked over, just to make sure I didn't have to rush.

How could I bring my A-game if I was in such a hurry? How could I pay proper attention to anyone when other personal things - like my work or travel schedule - devoured all my time? I was placing romance at the bottom of the priority scale, cramming it in between shopping trips and grafting it onto my dinners. What was the point? Just the distraction?

Stressed about stress tests

Aug. 10th, 2025 11:40 am
dorchadas: (FFX-2 Yuna Gravity Release Me)
[personal profile] dorchadas
More spontaneous restarts with WHEA errors (could be caused by...a ton of things).

So I'm sitting here running some diagnostics and seeing if I can fix the problem. Hopefully I don't need a new computer.
dorchadas: (Sawa-chan headbanging)
[personal profile] dorchadas
[instagram.com profile] sashagee and I went out to an event!

2025-08-07 - Wamono Splash image

Ever since Murasaki closed last year, I've been glad that I got a chance to take [instagram.com profile] sashagee there to see Van Paugam spin one of his sets before the end, and I've been on the lookout for more chances to see him. The people at the Anime Club mentioned this event, hosted by the Japanese Cultural Center in Kamehachi, the first sushi bar in Chicago, so I got tickets, yesterday morning [instagram.com profile] sashagee drove Laila out to spend some time at the grandparents--not a problem, Laila has been clamoring to see grandma and grandpa basically all week--and in the evening we got on the L and headed down to Kamehachi. The hostess saw how we were dressed and immediately asked us if we were there for the event and then ushered us upstairs.

The music schedule was Japanese vinyl from the 70s, 80s, and 90s, and we arrived during the 70s section, took our bentō and out complimentary drinks, and sat down on one of the high tables.

It was a lot of fun! [instagram.com profile] sashagee, inveterate gacha fan that she is, bought a mystery box and then when Van Paugam offered another mystery box to the couple with the best dancing, we went out on to the dance floor and won the box! We got a lot of dancing in--though not as much as one guy, who spent basically the entire evening on the dance floor even when he was the only one there--[instagram.com profile] sashagee got to hear her favorite city pop song, Mayonaka no Door -stay with me, when the Hits section came on at the very end, and we chatted with people and had a lovely time. They even promised to do another event, though since we were in the slightly closed-in upstairs of Kamehachi and it was kind of hot, Van Paugam mentioned it would probably not be until next year to avoid the heat from causing any more problems.

I need to keep better tabs on his sets. The only problem is that they're mostly only announced a short time beforehand, and having Laila means we can't exactly drop anything and head out on a moment's notice. But right now we almost never get a date night, and that's definitely not helping things. It'll be better when Laila's speech is better, because right now [instagram.com profile] sashagee is worried that if we got a babysitter and something happened, Laila wouldn't be able to tell us what was wrong. So we need to wait a few months and see if her speech improves, and then we can re-evaluate.

Profile

maxcelcat: (Default)
maxcelcat

November 2022

S M T W T F S
  123 45
6789101112
13141516171819
20212223242526
27282930   

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Aug. 24th, 2025 02:53 pm
Powered by Dreamwidth Studios